The second in a series of concerts aimed at bringing attention to the fantastic music of our region is scheduled for the Alberta Rose Theatre on Sunday, March 8. Ellen Whyte and Craig Howard created Second Season with the aim of connecting established musicians with newer audiences. The shows are scheduled for late afternoon starts, are open to all ages, and feature a trio of some of the finest musicians to be found anywhere.

The March concert is co-sponsored by the Cascade Blues Association and will showcase the amazing guitar mastery of Oregon Music Hall of Fame member Terry Robb, Salem’s extraordinary The Ivie-Meziere-Foss Trio, and the Muddy Award winning Stevens-Hess Band.

Showtime is 4:00 pm. The Alberta Rose Theatre is located at 3000 NE Alberta Street with tickets available in advance through www.albertarosetheatre.com for $13.00 advance/$15.00 day day of show. AARP and Cascade Blues Association members can receive a $5.00 discount on advance tickets by using the code “members” when buying online.

Rafael TranquilinoThe Rafael Tranquilino Band is best experienced live! It is an instrumental power house of guitar, bass, drums, and vocals that fuse rock, blues and funk in an alternative invocation of crossroads; past, present, and future. The band members are vocalist Leah Tussing, drummer Ivan Gunderson, bassist Farko Dusomuvs, and guitarist Rafael Tranquilino, known for his searing riffs and old fashioned Delta slide. His music is hypnotic; it has wings — lifting listeners to where the tension purposefully lingers in the resistance before freeing itself in sweet relief.

The Rafael Tranquilino Band is a rocket ship ride going full speed through layers of atmosphere into outer space, but the ride delivers, lifting listeners to a place of transcendence.

The Rafael Tranquilino Band recently competed in the International Blues Challenge in Memphis, TN, where they reached the semi-finals. The band does not make it down to Oregon too often from their home-base in Seattle, and they’re definitely worthy of attention — and catching in performance.

You’ll have three chances to see the band in March as they will playing at Duff’s Garage(2530 NE 82nd) on Wednesday, March 18, for a 9:00 pm show. Admission is $8.00, and this is a Cascade Blues Association co-sponsored event where members can receive a $1.00 discount at the door by showing their current membership card.

On Friday, March 20, the band will be on the West Side of town for a show at The Lehrer at 8:00 pm. The admission is $10.00 for this night, and is also a CBA co-sponsored show where you can receive a $1.00 discount on admission with your card.

Then on Saturday, March 21, the Rafael Tranquilino Band will roll into The Birk (11139 Hwy 202, Birkenfeld) for a 7:00 pm show.

By Nico Wind Cordova with Anne Morin

10989209_10152835187853393_4476335101467963394_n[1]We are so fortunate here in the great northwest to have a huge community of world-class musicians and extremely talented artists. So what does that mean? According to Wikipedia, Portland, Oregon, is the 29th most populous city in the United States, the third most populous city in the Pacific Northwest region, and we are number nine on the list of Most Musical Cities in the United States.

We have a lot of musical people who live here in Portland. Why? Maybe it’s because it’s a beautiful place to live, or it’s a more liberal state, or there is more acceptance of the weird and wonderful here. But one thing it’s not: It’s not a place to be if you’re looking for fame and fortune from the music industry. In fact, I think you could safely say, that Portland is a good place for our great musicians to hide out and be incognito.

The established artists who sit on the throne of Portland’s musical royalty, folks you might say are “local household names,” are the people who are not only super talented but have dedicated a lifetime of passion, energy, love, and work into supporting the Northwest music scene–people like Curtis Salgado, the late, great, Linda Hornbuckle, Norman Sylvester, Quarterflash, and Nu Shooz, to name a few. All of these people and their teams worked hard, as did other musicians climbing up the proverbial ladder. For example, Robert Cray is a well-known Portland musician, but do you know who his bass player is?

Dedicated musicians invested years of loyalty doing a painstaking nightclub grind, or developing a good fan base, or attaining lots of exposure by doing free benefits. And this phenomenon takes place, not only in Portland, but in other places around our country and even the world. I tip my hat to these richly deserving musicians. I also acknowledge the people beside them–the production engineers (live and recorded), the promoters, booking agents, photographers, and graphic artists that helped them achieve their goals. Who are they and what do we know of their journey and successes?

Making music my own career and profession on the road for nearly four decades and having great successes and failures of my own, I find I’m having to re-introduce myself all over again in my own home town. And, shockingly, I’ve learned I’m not alone. For instance, you may have heard of Gary Fountaine–that he’s a great bass player, and you might even know that he was in the band Nu Shooz. But did you know that that his band appeared on American Bandstand in the 1980’s? Like many of his colleagues, Gary’s done a lot of really interesting things that most of us know nothing about.

Road Dog Tales ‘n Jam is about reintroducing our successful and maybe even unsung hero artists to our community. The intention is to provide our spot- lighted artists with a safe and entertaining interview type of platform, led by Nico Wind Cordova, at Trail’s End Saloon (1320 Main St.) in Oregon City, once a month. The idea is that these professionals will get down into the trenches with all of us and share their experiences without hype or ego. They tell their stories, and we receive them firsthand. Some of these tales are hilarious and some are really unbelievable or dramatic, but the point is that their telling should be informative, interactive, and entertaining.

The first hour of the 3-hour evening at Trail’s End Saloon is the interview of the featured artist by Nico Wind who introduces the guest, traces their journey as artists, and then turns the process over to the audience. They then get to ask questions like what the musical process with coming up with a hook line or a lyric might have been, or why the guest chose a particular route in his or her career and what that was like, and what they might have done differently. This information could be especially educational for people who are looking at music as a possible career. The featured guest might then join in during the second and third hours of Road Tales ‘n Jam for the Jam– meaning that musicians present would be welcome to sign up on a participation sheet and then perform with Nico Wind and her Free Rein band.

Road Dog Tales ‘n Jam plans to video record these interviews for  our Portland music historic archives. We hope to make these available to the public in the future.

The first Road Dog Tales ‘n Jam took place on Sunday, February 15, with continuing events on the third Sunday of every month at Trail’s End  Saloon. A different guest will be spotlighted the first hour of each show.  The interview will start at 6 PM. There will be a cover charge of $2.00. We hope the loyal followers and fellow artists of the Portland music scene will support this important and entertaining program.

Log Cabin Blues Live: In Washington
Self Produced

Micah kesselring CD coverLog Cabin Blues Live: In Washington is a companion release to Micah Kesselring’s earlier 2014 EP release Log Cabin Blues. Kesselring has become a popular visitor to Washington State, where he first traveled after receiving The Blues Foundation’s Generation Blues scholarship. This scholarship allowed Micah to attend the Centrum Port Townsend Acoustic Blues Festival & Workshop at the age of 15. Now 21, Micah has performed onstage with people like Hubert Sumlin, Otis Taylor, Bob Margolin and Sean Carney and has been a headliner at the Cali Blues & Folk Festival in Columbia, South America.

This five song EP features four of the tracks originally found on the Log Cabin Blues album, plus the addition of “Big Mama’s Door,” all recorded live at either 88 Keys in Seattle (where it was simulcast on the Mighty Mouth Blues Show with Oogie Richards on NWCZ Radio) and at the Leaveworth Music Festival in the summer of 2014.

Micah Kesselring is an impressive artist who over the past six years has evolved from being an acoustic guitarist to an impressive multi-instrumentalist. He has a wide range of approaches and blues stylings that for many may take a lifetime to accomplish; he’s simply another of those old blues personas captured within a young man and it’s mighty scary just how much he has advanced over a short time and where he can possibly head from here.

For anybody who loves acoustic blues played in the traditional manner of the old Delta or Piedmont artists, Log Cabin Blues Live: In Washington is something to be heard.

Total Time: 21:23

Big Mama’s Door / Mean Uptown Mama / Preachin’ The Blues / Riverbend Blues / Log Cabin Blues

Three of today’s finest blues-rock singers and songwriters, Joe Ely, Ruthie Foster and Paul Thorn, are currently touring together under the title, Southern Troubadours In The Round. This incredible trio will perform in Portland on Sunday, March 15 at the Alberta Rose Theatre, 3000 NE Alberta Street.

Joe Ely is an Americana singer who covers musical styles bred in Texas honky-tonks — tinges of rock, blues, folk, Tex-Mex, and country all combined for a unique experience. Ely has performed alongside noted artists like Linda Ronstadt, The Chieftains, The Clash and Bruce Springsteen and is currently supporting his current release Satisfied At Last.

Ruthie Foster has been one of those artists who has captured the blues world’s heart over the past few years, with both a Blues Music Award nomination and a current Grammy nomination. Her songwriting is expressive and she plays guitar with any of the best, be it fiery electric or soothing acoustic. With a blend of soul, blues, rock and gospel, Foster is always a musician who can enrapture an audience.

Mississippi-raised Paul Thorn writes music based on his life experiences. His album Pimps & Preachers spent three weeks on the charts after its release and reflects upon his life growing up with a father who was a minister and an uncle who was a pimp. Both clearly influenced his songwriting. An energetic performer, Thorn is always a favorite on any stage he plays.

This incredible show will start at 8:00 and all ages are welcome with minors being accompanied by a parent or guardian. Tickets are $40.00 advance and $45.00 day of show. There are also a number of preferred seats available (first five rows, center section) that can be purchased for $50.00. Tickets are on sale at www.albertarosetheatre.com.

By Laurie Morrisey

Sister MercySeveral years ago Roger Espinor was moved to write a song called “Sister Mercy” after hearing a PBS show about the oppression of women in Africa. In the fall of 2013, “As we formed the band, we tried out many different names but this one had the dual meaning of Sister (for our sisters who sing) and Mercy, a character quality we strive to achieve,” said Debby Espinor.

Sister Mercy is a rhythm and blues band. “We have an energetic rhythm section that allows us to play across many styles of blues. With strong female vocals, the opportunity to perform blues classics is endless,” according to Debby.

The band

Sister Mercy is made up of many talented musicians: April Brown, lead vocals; her sister, Kelsey Brown, vocals; Debby Espinor, keyboards; Steven Savoie, guitar; Ron Camacho, bass; and Roger Espinor, drums and producer.

Most of the members have been performing since they were in junior high, although Kelsey said April was born singing. They grew up in a singing family. April said she always loved performing but wanted to be a zoologist or a stand-up comedian when she grew up. Kelsey never wanted to perform but instead wanted to be a missionary in India. While being musicians keep them busy, April also works as an Office Manager at Premier Window Coverings and Kelsey works at Eyecare Physicians and Surgeons in Salem.

As far as experience goes, April took voice lessons and participated in musical theater. Before joining Sister Mercy, she sang back up for Candace Devine and Tommy Walker. Kelsey also sang with Candace Devine. Her training came from being a part of the Youth Choir of Central Oregon and college choirs.

In addition to being a musician, Debby has been an Associate Professor of Education at George Fox University for the past five year. She started playing the piano when she was eight. When she was 16, she wanted to be a jazz pianist but went into music education instead. Before Sister Mercy, Debby played with The Love Doctors with Charlene Grant, based out of Seattle.

Steven jokingly said he wanted to be a male stripper but ended up a musician by night and works at New Seasons by day. His slide guitar playing brings an electric energy to the stage. His training comes from lessons he had from age eight to 13. He has played with a variety of club bands in Eugene and Portland over the years.

“I always wanted to be a musician over anything else,” said Ron. He garnered his talent from being self-taught, with a few lessons sprinkled in. He is happily retired from a career at Ferguson.

Roger also wanted to be a musician although he loves the engineering side of the profession as well. He writes most of the originals for the band and has deep ties to the blues, coming from the south in the 60’s and 70’s. His drum skills must come from heredity, both his father and brother played drums. Roger played with Big Sweet out of Houston, TX.

Additionally, Roger and Ron played for five years with the award-winning Rose City Kings.

Influences

The group has a long list of influences, with strong role models for their music. April credits Etta James, Aretha Franklin and Linda Ronstadt, for her love of music. Billie Holliday, James Taylor, and Anne Murray, are the forces that fuel Kelsey.

For Debby, the significant artists are Herbie Hancock, Dr. John, and Dave Brubeck. Steve says the music of Mike Bloomfield and Albert King made an impact on his style. While Jaco Pastorius, Paul McCartney, and Jimi Hendrix made a lasting imprint on Ron. Roger’s influence are Paul Butterfield and Bill Bruford.

CD’s

Sister Mercy recently released their first CD, Head over Heels, on December 13, 2014. “Musically, this is a band that delivers. With brilliant guitar playing from Steve Savoie tearing into songs like Blind Willie Johnson’s ‘Nobody’s Fault But Mine,’ ‘Sister Mercy,’ ‘Heavy Load’ and ‘I’m Done’ accented with nicely executed piano from Debby Espinor, the album consistently captures attention deeper with each listen. Former Rose City Kings drummer Roger Espinor, who also produced and wrote many of the songs for this disc, paces the rhythm with Gary Giacci on bass (the band is now filling the bass position with another former Rose City King member Ron Camacho). Add to this Kelsey Brown as vocal partner alongside April Brown and it comes across with depth and passion,” said CBA President Greg Johnson.

“We are beginning the creative writing process for the second CD now. We are planning for a 2016-17 release,” Debby said.

In closing

“We really want to recognize Gary Giacci, the first bass player for Sister Mercy. He did all the bass on our first album. He’s a great friend and band member,” Debby said.

Now is the time to get out and listen to Sister Mercy, before they start touring the world. “We have a goal to play in Europe in 2017.” Visit the Sister Mercy website at www.sistermercy.rocks for upcoming shows.

 

Toney Rocks - photo by Tony Kutter

Toney Rocks (photo by Tony Kutter)

Currently promoting his self-titled EP, Toney Rocks dives into the abyss of progressive blues rock music, pushing the culture forward by delivering a bold hybrid peppered with electronic elements. He isn’t just another guitar slinging bluesman. Toney Rocks’ conscious penmanship reveals a poet that identifies with today’s struggles and triumphs such as poverty, love, and self-liberation. He writes for the people, as a voice of the people who can’t be heard. His music has been compared to the soulful sounds of Robert Cray and the fusion of Jean Luc Ponty.

Toney Rocks returns to Oregon for a handful of shows in March beginning Thursday, March 12 at Sam Bond’s in Eugene (407 Blair) at 9:00 pm, followed by a show at the Trillium Café in Hood River (207 Oak Street) on Friday, March 13, and The Birk (11139 Hwy 202, Birkenfeld) on Saturday, March 14 at 7:00 pm. On Thursday, March 19, Toney Rocks will be in Portland for a performance at Duff’s Garage (2530 NE 82nd) starting at 9:00 pm. Your Cascade Blues Association is the co-sponsor of The Duff’s Garage show, and admission is $10.00, but members will receive a $1.00 discount on admission when showing their current CBA card.

Dana Fuchs - photo by Greg Johnson

Dana Fuchs (photo by Greg Johnson)

Dana Fuchs is perhaps one of the most fiery entertaining performers you’re going to come across nowadays. Her high-energy shows are often seductive, and blues guitarist Debbie Davies describes Dana Fuchs as, “Blessed with a power-house voice, Dana holds the crowd in the palm of her hand with a charismatic and soulful delivery that’s rare in artists twice her age.” Dana belts out sassy, soul-laden renditions of her own tracks and covers with a gravelly edge to her voice that is distinctly hers, while at the same time you can hear echoes from the past from Janis Joplin, from today’s Bonnie Raitt and the bluesy tones of Maggie Bell. This is a lady who is comfortable delivering a range of tones and tempos.

Dana Fuchs is coming to the area for a pair of performances in promotion of her latest recording on Ruf Records, Songs From The Road. On Thursday, March 19, Dana will appear at Jimmy Mak’s for an 8:00 pm show. Tickets are available in advance through TicketTomato.com for $18.00 reserved and $15.00 general admission. This is a Cascade Blues Association co- sponsored event and you can receive a $2.00 discount when ordering online and using the code “CBA.” Tickets must be purchased by March 15 to receive this discount offer. Jimmy Mak’s is located at 221 NW 10th, 21 & older only.

Johnny Main of The 44s - photo by Tony Kutter

Johnny Main of The 44s (photo by Tony Kutter)

“California blues rockers that fuse traditional LA and Chicago hard core blues pull off a wonderful back to the future fusion of old and new with steam powered energy. The cats in this quartet were obviously born in a road house and grew up licking spilled beer off the floor while their parents ignored them. How else could they come up with such an authentic sound that is familiar without being derivative while it kicks ass all over the yard? No two ways about it, party over here. Grab a ride on this blues train, pronto.”  Midwest Record – Entertainment News

Los Angeles-based rootsy blues band The 44s have been making numerous trips to Oregon the past few years, building an extraordinarily strong fan base that packs their shows and crowds the dance floors. How can one not get excited by guitar master Johnny Main and The 44’s energy? These guys come to a room with full intention of igniting an audience and they light that fire every time.

The 44s return to Northwest Oregon with a pair of shows in March. On Thursday, March 19, they will be out at The Birk, 11139 Hwy 202, Birkenfeld, for an 8:00 pm show. Then on Friday, March 20, they’ll be in Portland at Duff’s Gargae for another raucous night of bluesy fun. Admission is $15.00. The show at Duff’s Garage is a CBA co-sponsored event, so bring your membership card for a $1.00 discount at the door. Duff’s  Garage is located at 2530 NE 82nd, showtime is 9:00 pm, expect a full house for this one.

For two days, March 13 & 14, 2015, Walla Walla becomes the Pacific Northwest Blues Capital, when we present 15 top Northwest Blues & Roots acts in five venues in Beautiful Downtown Walla Walla. It’s a great big party, people, and you’re invited! 2015 marks our fourth festival and we’re celebrating in a LARGE way.

This year the fest is preceded on Thursday night by the WWGF edition of The Thursday Jam at Sapolil Cellars, hosted by Robin Barrett and Big Monti Amundson! If you’re in town a day early, this is always a great show and there’s no cover!

If you can’t make it to Walla Walla on Thursday, The Friday Night WWGF Kick-off begins the festival proper & it’s always great to get into town early on Friday to explore Downtown Walla Walla and get warmed up for a great party Friday Night & very full day (and night) on Saturday. The Friday music starts at 8 pm with Junkyard Jane at Sapolil Cellars & The Randy Oxford Band featuring Lady A at Charles Smith Wines tasting room, followed at 10 pm by Dan Faller & The Working Poor at Charles Smith & Rock Blyth & Two Faced Johnny at Sapolil.

Saturday runs from noon until 2 am, (so be sure and take your vitamins!), with the Acoustic Showcase at 12 pm at Sapolil Cellars, featuring Billy Stoops, Big Monti Amundson, & Gary Winston!

From 2 pm until 7 pm The Elks Lodge is home to The LARGE Show, with Robin Barrett & Coyote Kings w/Big Monti, The Rafael Tranquilino Band, & The Strange Tones!

From 7 to 8 is the “dinner/regroup for the night” break (trust us, you’ll be glad), because at 8 pm The Guitar Crawl begins, running from 8 to midnight and featuring; The Rae Gordon band and Chris Lord & Cheatin’ River at Sapolil Cellars, The Jesse Weston Band and The Wasteland Kings at The VFW, and Kevin Selfe & The Tornadoes and The Campbell Davis Band at Main Street Studios.

At Midnight at Sapolil Cellars is The Allstar Jam, hosted by Vaughn Jensen and Tuck Foster, running until close.

Add to this the famous WWGF drawing, featuring a Front Porch Guitars’ cigar box, A sweet little Fender From Music Machine, a gorgeous 20” by 30”’ framed print of Scott Barnett’s Sunset on Downtown Walla Walla, along with food, travel, and a boat-load of Walla Walla wines! Every person who buys a ticket to the fest also receives a ticket in the drawing, with more available for sale.

If you’ve read this far we know you want to come, so just sweeten the pot, we’re going to make it special just for you. Tickets are $20 for Friday and $40 for Saturday, but as a member of the Washington Blues Society, we want to give you 5% off the cost of tickets and motel/fest packages! Just go to http://wallawallaguitarfestival.com and type “member” in the promo box under the tickets. BAM, 5% off! For you!

The Walla Walla Guitar Festival is the “shake off your cabin fever” party of the year, folks. We’ll see you there!