DL Duncan CD cover

D.L. Duncan
15 South Records

DL Duncan CD coverNashville’s Dave Duncan, simply known as DL Duncan on this self-titled, self-produced recording, has been a songwriter of well-respected merit for a number of years. With a sound that fits nicely within that musical niche surrounded roots, America, and the blues, he has written highly acclaimed songs for country artists like Lorrie Morgan and Buddy Jewell and has worked with the Goose Creek Symphony, Jimmy Nalls, and Stan Street. He has also had a lengthy song-writing collaboration with Curtis Salgado and has reaped two Blues Music Award nominations for song of the year with “20 Years of BB King” and “She Didn’t Cut Me Loose.”

The strength of Duncan’s songwriting clearly shines through on this recording, with eight of the tracks written or co-penned by him. He reunites with Salgado on one, “I Know A Good Thing” and Mark Robinson co-wrote the fiery guitar number “Dickerson Road.” There is plenty of humor to be found in the opening tune, “I Ain’t The Sharpest Marble.” The clever title alone should tell you that fact, but it’s full of funny insights such as “If you want a man with ambition, you might as well count me out.” And he can fill you with his down-felt sorrow with mournful slide guitar on “St. Valentine’s Day Blues,” relating how alone he gets to feeling each February.

Throughout the album the instrumentation is high caliber. It doesn’t hurt when your supporting cast includes heavy hitters like Delbert McClinton on harmonica, Sonny Landreth on slide guitar, Muscle Shoals’ house bassist David Hood, keyboard dynamo Kevin McKendree and Nashville’s premier vocalists The McCrary Sisters. And amongst all that, Duncan superbly plays a variety of both electric and acoustic guitars.

The album closes with a beautiful take on Craig Wiseman’s “All I Have To Offer You Is Love,” one of only two covers on the disc. His vocals are soft and touching with exceptional accompaniment by David Pinkston on pedal steel guitar. It is the perfect nightcap to an album filled with fantastic, memorable songs and perfect presentation. Start to end, this is one fine collection of music.

Total Time: 41:05

I Ain’t The Sharpest Marble / Dickerson Road / You Just Don’t Never Know / Your Own Best Friend / I Know A Good Thing / Sending Me Angels / Orange Beach Blues / St. Valentine’s Day Blues / Sweet Magnolia Love / All I Have To Offer You Is Love

Colin Lake CD cover

One Thing That’s For Sure
Louisiana Red Hot Records

Colin Lake CD coverColin Lake may have planted his musical style in Portland, but he has certainly had the fruit of his craft ripen since moving to New Orleans. He has started taking that city’s blues and roots scene to another level with his tastefully crafted lyrics and melodic guitar playing. His latest release, One Thing That’s For Sure, has recently been nominated by Offbeat magazine for blues album of the year, while Lake has also been placed on the ballot for vocalist and guitarist, and the song “The World Alive” has a nod for music video.

One Thing That’s For Sure continues with Lake’s knack for creating astounding wordplay. The music moves between rocking tracks (“Pay The Price”), psychedelic (“I’m Trying To Tell You”), easy-going pop (“The World Alive”) or bluesy instrumental (“La Madrugada”), and every number is an original composition. And the lyrics are complex storylines that often detail relationships whether exalting pure joy or getting through the lows as in “If It Ain’t For You” (“I’m sorry for every little thing I do.”).

Guest artists on this disc include North Mississippi All Star guitarist Luther Dickinson, saxophonist Jimmy Carpenter, percussionist Eric Heigle who also handled production duties, and backing vocals from Sasha Masakowski, singer/actress Topsy Chapman and Maggie Koerner from Galactic.

Colin Lake’s musical progression is steadily improving with each and every release. One Thing That’s For Sure is an infective collection of downright musical fun. It’ll make you want to stand up and dance to its ever-pleasing grooves.

Total Time: 52:52

One Thing That’s For Sure / She’s Mine / The World Alive / I’m Trying To Tell You / A Quiet Mind / La Madrugada / Pay The Price / Ninety-Nine Miles / Just Begun / If It Ain’t For You / Lonesome For The West

Charlie Musselwhite CD cover

I Ain’t Lyin’
Henrietta Records

Charlie Musselwhite CD cover

Charlie Musselwhite CD cover

Charlie Musselwhite has released another live recording following in the footsteps of his 2012 album Juke Joint Chapel, which brought him a Grammy nomination. Recorded at two festivals, Valley of the Moon Vintage Festival in Sonoma, California and the Clarksdale Soundstage in Mississippi, I Ain’t Lyin’ is another strong outing that finds Musselwhite and his band in prime performance shape.

The band here is almost the same as on his 2012 release, with June Core helming the skins and Matthew Stubbs on guitar. The newest part of this band is bass player Steve Froberg. This is a splendid mix where none of the parts overshadow anybody else. Musselwhite remains forefront with his harmonica and voice, but each of the players are key cogs to this unit and it shows.

Musselwhite wrote all but two of the selections and many are prime numbers that have been favorites of his followers for many years. The cover tracks are Elmore James’ “Done Somebody Wrong” and Duke Pearson’s “Cristo Redentor.” The latter is just about a standard for Musselwhite and has appeared on several of his releases over the years going all the way back to his break-out release Stand Back! It’d be hard to imagine a Charlie Musselwhite appearance without this song being played. And once again he proves its worth.

Of the originals, you will definitely find many of his best and most loved titles from his fifty-plus-year career. They include greats like “If I Should Have Bad Luck,” “Long Lean Lanky Mama” and “Blues, Why Do You Bother Me?”

Charlie Musselwhite has proven over time that he is one of the all-time premier voices behind a blues harmonica. No need to compare him with the Sonny Boys or Walters (Big and Little) as he has carved his own niche with his blues hall of fame and his influence on future players will just as long lasting. One thing he’ll bring to the table in live presentations is everything that is good in the blues today and as he’d tell you himself from the stage, “I Ain’t Lyin’!”

Total Time: 57:43

Good Blues Tonight / Done Somebody Wrong / Long Lean Lanky Mama / Always Been Your Friend / If I Should Have Bad Luck / My Kinda Gal / Blues, Why Do You Worry Me? / 300 Miles To Go / Long Leg Woman / Cristo Redentor / Good Blues Tonight (unedited)

The Next Place I Leave
Yako Records

Chris Yakopcic CD cover

Chris Yakopcic CD cover

If you’re a fan of acoustic guitar, then Chris Yakopcic is definitely an artist you should look up. This Dayton, Ohio-based player has a true knack for working in both fingerpicking and slide styles and has proclaimed that he has been heavily influenced by past greats like Big Bill Broonzy and Robert Johnson, who as a solo artists were able to hold an audience’s attention with just their guitar and voice. This is something that Yakopcic accomplishes quite well himself, as a multiple winner of regional competitions for the International Blues Challenge in Memphis, including making the finals in 2015.

On his sophomore release, The Next Place I Leave, Yakopcic is joined by drummer Brian Hoeflich and bassist Leo Smith. But though he has accompaniment, it is his guitar playing that stands out front and center. Recorded at the famed Ardent Studios in Memphis, Yakopcic showcases his string work and songwriting abilities as he flies across the frets on exceptional original material paired perfectly with a handful of covers from Robert Johnson, Fred McDowell and a standout take of Leonard Cohen’s “Tower Of Song” that sounds as if it came directly from the mountains of Appalachia.

Yakopcic is musician who yearns to hit the road and play. He details his journeys with “Sounds Of The Highway” stating that he’d much rather be moving down the roadside than sitting in one place growing old. The theme continues with  “The Next Place I Leave” where he recounts that though he has been to a lot of places, including meeting the devil at the crossroads, it is still just one more place along the way before heading off to find something new. Only a man who is completely in love with his instrument and the history of the music can display guitar playing in such a fine manner. It’s deftly charted and performed on a pair of apparently autobiographical selections, “Smallman Street” and the closing number “My Last Three Strings.”

Chris Yakopcic may have a nice hold on the blues fans in Ohio and Pennsylvania as an acoustic artist of high merit, but give The Next Place I Leave a full-focused listen and you’ll most likely be in agreement with them. This one does warrant that listen.

Total Time: 40:49

The Next Place I Leave / Preachin’ Blues / Sweet Time Blues / Smallman Street / Phonograph Blues / Sounds Of The Highway / Write Me A Few Lines / Tower Of Song / Time To Go / Addicted / My Last Three Strings