This just in… Guitar collectors listen up!!! Just got this from Santana management. Carlos Santana has santana guitargenerously donated a signed guitar for our upcoming benefit for Alyssa (Lisa Mann’s cousin) Sunday August 9th at the Trails End Saloon. Here is a picture of the guitar. How cool is that?? It will be included in our silent auction, along with a signed copy of their latest new CD and DVD, Corazon!

Since the age of two, Fourteen-year-old Alyssa (Aly) Weiser-Lilly (cousin of Blues Music Award winner Lisa Mann) has suffered from a rare brain cancer known as PNET and is the only known survivor of a third occurrence of this disease. Aly has lived far longer than expected, but now her courageous fight is coming to an end. After much consideration, Aly has chosen to discontinue treatment and instead spend her end of life journey traveling and visiting her family in neighboring states.Alyssa Lily and Cancer Tee

Aly’s mother can’t work, as she has to take care of Aly (a full-time job in itself) and her three sisters. Aly’s father has a slow-growing brain tumor which causes him to be fatigued, making it difficult to care for his family. Thanks to generous donations through a GoFundMe account, Aly is currently fulfilling her dream and traveling with her family. ttp://www.gofundme.com/xj7y43g

On August 9 (times TBA) an all-star line-up including Lisa Mann and some of her musician friends is coming together with the help of The Trail’s End Saloon, Soul Sisters Productions, Cherie’s Blues Highway, and the Cascade Blues Association to help support Aly in the months ahead. Proceeds will go towards rent and bills associated with Aly’s end of life care.

Scheduled to play: Lisa Mann and Her Really Good Band, featuring Sonny Hess and Larry Haggin; King Louie’s Blues Revue, featuring Lisa Mann, Andy Stokes, LaRhonda Steele, David Iula, Edwin Coleman III, and Renato Caranto; The Lloyd Jones Struggle, featuring Denny Bixby, Mike Klobas, and Louis Pain; Rae Gordon; Butterfly Breakdown, featuring Zay Harrison (Lisa Mann’s sister), and more!

www.soulsisterspdx.com

www.cascadebluesassociation.org

On Friday, August 14, and Saturday, August 15, Texas-based bluesman Hamilton Loomis headlines this year’s Ilwaco Blues & Seafood Festival with a strong compliment of several of the Northwest’s finest musicians that is guaranteed to make this one of the summer’s hottest events. Aside from great blues music, there will be plenty of fresh seafood available through several vendors in the food court along with microbrews and regional wines.

The festival will take place at The Port of Ilwaco, 165 Howerton Avenue. Beginning at 5:15 pm on Friday, other performers will include Papa Rocket, North Coast Blues & Cadillac Horns, The Randy Oxford Band, and a special All Star Jam & Trombone Fest. Then on Saturday, beginning at 5:00 pm will be The Strange Tones, The Ken DeRouchie Band, and Hamilton Loomis.

Tickets are available through the festival’s website at bluesandseafood.com. Also visit the website for further information and for a listing of lodging in the area. Also check out the nearby Jazz & Oysters at the Water Music Festival in Ocean Park that takes place on Saturday from noon to 5:00 pm, so you can make it a weekend filled with both live jazz and blues.

Laurie Morvan - photo by Greg Johnson“Laurie Morvan has all the soulfulness of Bonnie Raitt and the swaggering, muscular guitar tone of Stevie Ray Vaughan …blistering, high-energy,” – Ellnora Guitar Festival Review.

California guitar ace Laurie Morvan will be making her debut appearance at Duff’s Garage on Thursday, August 27, and her incendiary blues rock is sure to burn down the doors and thrill guitar aficionados. Morvan has been earning praise for several years for her highly energetic shows and exceptional recordings. She has been a finalist in the International Blues Challenge and was declared the winner of the Best Self Produced CD competition by The Blues Foundation in 2010 for her recording Fire It Up!

“Morvan’s guitar playing is what the excitement is all about…dazzling chops and fluid licks…and the piano, bass and drums are watertight…appealing dual vocals complete the signature Morvan sound and groove.” Blues Revue

Laurie Morvan’s performance is a CBA co-sponsored event, so remember to bring your current membership card to receive a $1 discount at the door. Duff’s Garage is located at 2530 NE 82nd. Showtime is 9:00 pm.

By Laurie Morrisey

AnneWeissCD Photo1“A mix of blues, soul, gospel, funk, and folk, depending upon the song,” is the way blues singer Anne Weiss describes her music. “I like to start with one of several genres and expand outward. Some are just straight ahead R&B, and others can be more in the contemporary folk genre with a groove. Sometimes I will use a Delta blues feel, and add something like sitar. I really like to bring in different elements to create a new experience.”

That’s how Anne describes her music, so it’s hard to believe when this gritty blues singer says, “I was very shy about performing when I was younger. The music business at the time seemed like something I wanted to stay away from, so I didn’t originally think of music as a career.”

Born and raised in New York City, Anne’s first gig was in a coffeehouse in Manhattan when she was 13. “But I would say that I started thinking of myself as a musician when I was hired to do background vocals with Shawn Colvin and Patty Larkin when I was 23. Shortly after that I got to open for Richie Havens, who really encouraged me to follow music as a path.”

“I also began teaching guitar and voice around then. So depending upon how you count it, I have been a professional musician for either 30 or 40 years,” she said.

But music isn’t the path she first started down. “I had a big interest in the outdoors, and I became an environmental educator and professional outdoor leader/mountaineer for many years. During some of that time I took a break and went to college, where people would ask me to come perform at benefits for important causes, and I felt that no matter how shy I was, I ought to go perform.”

“At some point those performances led to having a music engineer, a producer, and a bunch of musicians offer to help me record an album for free, so by then I was out of excuses for why I couldn’t make an album. Back then, my first recording was on cassette, and even the duplication costs were generously covered by a fan. From there, I started being offered shows and festivals, and I knew I was lucky. So I came to music as a profession through the back door.” Anne said.

After touring on and off for about 20 years, Anne wanted to stay home more often and “have a family, community, and garden. I love producing and supporting others’ music and teaching music, and so when I’m not touring or performing you can find me singing on recording projects, producing, or teaching. I teach at Portland Community College, Artichoke Music, at music camps and privately. I teach folk and blues vocals, guitar, piano, ukulele, and songwriting to kids and adults.”

She also leads a world music choir called The Everyone Welcome Community Choir. “It’s all very flexible work, so it enables me to perform as much as I would like,” according to Anne.

Influences

Like all artists, Anne says a host of musicians influenced her music: Aretha Franklin, Muddy Waters, Bonnie Raitt, Tracy Nelson, Rickie Lee Jones with some Jackson Browne thrown in for lyric influence. “My friend, Dar Williams, also has influenced my writing and my career over the years,” she said.

Training

Anne’s musical training started at a young age. “I took piano lessons from my grandmother, Elizabeth Weiss. They were classical lessons, but because I had visual problems that went undetected, I learned everything by ear. She was a very patient and loving teacher who was always willing to play a passage for me over again. I developed a really good ear for instruments and for harmonies. I learned a lot about technique and music theory too, but even more importantly, I learned how to be a patient and encouraging teacher, which has been priceless.”

“I also took a summer of guitar lessons in my teens from a wonderful hippie guy who recognized my natural ability and pushed me really hard for a whole summer. It was great to have a teacher who had so much faith in my ability. He had me playing Pheobe Snow songs right alongside Elizabeth Cotton tunes and blues riffs. It was pretty great.”

When Anne first moved to the NW she had the opportunity to study with the one and only John Cephas. “I had one week when I was really starting out in Delta blues where I got to take lessons from John every day, just me and one other student. I still play all the deep dark Skip James songs John taught us and tell stories from that wonderful time.”

These days Anne is primarily a vocalist, but plays piano, guitar, blues ukulele, and “about one really good lick on harmonica,” she said.

Awards

When discussing awards, Anne said she avoided most competitions. “A few years ago I won second place at the Telluride Blues Festival competition. It kind of changed my outlook about competitions, because everyone there was rooting for each other, where I had expected a very edgy vibe. It was a really nice experience. Very few women have been awarded first or second place in that competition, so it was also nice to represent.”

CD’s

Anne has several CD’s out, including Tomorrow’s Gate, Crossing the Border, Braille, Concrete World and the Lover’s Dream, Singing for the Vocally Challenged (instructional CD), and Where Folk Gets The Blues (double CD). She is currently working on another release which she hopes to have “in the can” in the next few months.

Artists Anne Has Performed With

“Since I’ve been playing such a long time, I’ve had the good fortune to play with a lot of wonderful people. The short list includes opening for and/or playing with Taj Mahal, Chris Smither, Ani DiFranco, Cephas and Wiggins, Richie Havens, and Dar Williams. Locally I have had the pleasure to perform with Mary Flower, Alice Stuart, David Jacobs-Strain, LaRhonda Steele, Norman Sylvester, Joe McMurrian, Janice Scroggins, the Northwest Community Gospel Choir, and many others,” she said.

Band Members

Anne’s band members change depending upon the gig and location. She often plays in solo, duo or trio form but occasionally has a whole gospel choir backing her up. “Lately I have been part of a lot of projects, such as the Bonnie Raitt Music Tribute, which has involved Dan Steuber on drums, Mark Bowden and David Jacobs-Strain on electric and slide guitars, Lisa Mann on bass, and Rich Lauder on keys. She shares lead and background vocals on the project with Ara Lee, Bre Gregg, and Shelley Rudolf.  “I have also worked a lot with Spank Hopkins on drums and Donny Wright on bass. I have had the pleasure of working with JP Garau on piano quite a bit lately.”

Adopting

These days, Anne and her partner Eric are busy preparing for the adoption of a baby girl from Ethiopia. She is about nine months old and from the region of Gambella. “After three years of filling out paperwork, waiting, hoping and jumping over many hurdles, we joyfully received and accepted her referral on March 5th, my birthday. What a birthday present!” said Anne.

One of the big hurdles left in order to adopt their baby is funding. At this point, they still need to raise another $20,000. “Every single step in adoption has costs, some of them reasonable and many unreasonable but all beyond our control. Adoption is tragically expensive and complicated, tragic because so many families can’t afford it and can’t take all the complicated steps necessary to adopt here or elsewhere, and that leads to many parentless and homeless children. But adopting her means one less homeless child, and Eric and I will become one less childless family! This is our dream.”

Anne and Eric have a GoFundMe page at http://www.gofundme.com/r3b77yc. All donations over $50 get a free CD as a thank you. For donations over $500, Anne will write a song for you on any topic you like, in almost any style or Eric will make you a beautiful hand turned wooden bowl (your choice.)

They have had two fundraising concerts in Oregon and a third one is set for August 2, 2015. Anne Weiss and Friends will perform at a house concert in Oakland, Calif.  Special guests include Marc Silber, all around mandolin player Gerry Tenney, Tom Wishing, Noam Cohen, and Jill McAnally. Contact Rufus Diamant at rufusdiamant@gmail.com for ticket details and directions. “If anyone would like to host a fundraising concert at their home, please let me know,” Anne said.

Eric is also selling his beautiful handmade wooden bowls as a fundraiser. His work is incredible. Take a look at: http://www.nwfinewoodturning.com/. To order a bowl, please get in touch with them directly through their gofundme site.

In Closing

Life these days is busy for Anne, with her top priority being to get their daughter here from Ethiopia. She does have some upcoming shows, including “Something to Talk About: A Celebration of the Music of Bonnie Raitt” on October 10, 2015 at The Alberta Rose Theatre. For more information about Anne and her upcoming shows visit her website at www.anneweiss.com.

If you’re interested in studying acoustic guitar with a collection of masters, then you should not bypass the second annual Blues In The Gorge. Spend five days with some of the finest guitarists in the country for intimate personal training. This year’s instructors are Mary Flower, Pat Donahue, Josh White Jr, Scott Ainslie, and Eleanor Ellis, plus local bluesman Tevis Hodge Jr to provide jamming opportunities.

Last year’s initial Blues In The Gorge sold out! The space is limited to only 54 people in order to provide that close-up teachings you want. Presented by at the Menucha Retreat & Conference Center in Corbett, Oregon, September 30 – October 4, don’t hesitate, sign up now! Register today at Menucha.org/programs/blues

If you would like to have your CD considered by the Cascade Blues Association for submission in The Blues Foundation’s Best Self-Produced CD competition, please send your disc to BSPCD c/o Cascade Blues Association, PO Box 6566, Portland, Oregon 97228-6566. You may also turn your submission in at the August, September, or October Cascade Blues Association General Membership Meetings. No discs will be accepted later than October 7.

All discs submitted must have been released after November 1, 2014. A committee set up by the Cascade Blues Association’s Board of Directors will listen to each submission and like the Journey To Memphis will rate each on a series of categories (blues content, instrumentation, vocals, art work and liner notes). Only entries from the Pacific Northwest (Oregon, Idaho and Washington) acts will be accepted. We must receive your entry no later than October 7. Please note, the entry that we submit to The Blues Foundation will require that we send them four copies of the disc for their judges. We will notify the appropriate act for  the extra copies needed to send.

ramblings201306BNGreg Johnson / CBA President

Well, things are sure going to pot this past month, and I don’t mean anything about the legalization of marijuana in the state. I mean things are definitely going downhill. Quickly.

I thought my personal woes at the Waterfront Blues Festival were bad, tweeking my back the morning of July 2, right before heading out for the day and starting the four-day event. Oh what pain! I could barely move between the two stages I was announcing at and spent most of my time those first couple days in the VIP area sitting. Went through ice packs, medication, massage, lots of water, and adult alcoholic beverages available in the VIP area. But it was too much to handle much movement and I missed a good deal of the festival happening on the Brewery Stage. No Gregg Allman, no Jaimoe, no Dave & Phil Alvin, no King Louie’s Blues Revue or anything else I would have wanted to see. And I wasn’t able to hang out with my friends who show up once a year and that really smarted.

But it is nothing compared to the news the week before of the death of Cascade Blues Association Hall of Fame member Jimmy Lloyd Rea. A good friend that due to his living on the opposite side of the state meant that we didn’t see much of each other. But I will never forget him and the stories he would tell me of things like the Ann Arbor Blues Festival and the musicians he had performed with. He saw a lot in me. Enough that he nominated me for and pushed my induction into the (online) Blues Hall of Fame. This was quite an honor, but I never felt comfortable with this recognition. The others who were inducted in Oregon were people like Lloyd Jones, Bill Rhoades and Jim Mesi for example. These people had given their entire lives and careers in performing the blues. I was just a writer, a photographer and a blues society president. I didn’t belong alongside these people. So I recanted my induction, assured if I were to ever change my mind that I would be reinstated. I still do not feel any differently. But thank you Jimmy Lloyd Rea. You were a top notch friend and I am going to miss you.

The second biggest blow happened right at BluesNotes deadline. We had heard the month prior about the confirmation of the rumor of the closing of Highway 99 in Seattle. Heaven forbid that such would befall a major venue in Portland. Halibut’s was closing but they seem to have a new location already found. But when word was received that The Lehrer was being forced to close their doors, it was like having all of the wind knocked out of you. This was the Muddy Award winning venue of the year. This was an owner that not only pushed for people to come to his club, but supported other venues by patronizing them and musicians by scouting them out before they made a pitch to play at his room. A friendly staff, a large dance floor, good food and great music. Why weren’t people coming out? Here or anywhere else? Sure, the summer months are busy, so much going on. But that doesn’t explain the rest of the year. Huge kudos to Brad Lehrer for making this a go-to spot. He did his best to survive, but anybody who has run a music venue knows already that you’re in it for the love, don’t expect to see profits. Yet he tried and alas we’re seeing another of the best venues in town close its doors.

Don’t bemoan another club closure if you didn’t help support those venues. It’s easy to sit back and say how bad it is that another one has closed. But they would survive if you would make the effort to go to the shows they offer. Brad Lehrer brought in acts, taking chances on little known in our area bands and touring acts that should’ve been seen. I have seen it other places as well. Ten people showing up to a national act playing in town for the first time, while venues offering a free jam pack the place out. You do realize that despite Portland’s reputation for being a blues city, a lot of the touring acts note this as well and decide that it might not be in their best interest to come here. Prevent that from happening, and prevent venues we love from closing. Get out there and see live music. Take a chance on somebody you’re not familiar with. Pay a little cover. You may find somebody that really rocks your boat. It is worth it.

On July 4, the Cascade Blues Association held the finals for the Journey To Memphis competition at the Waterfront Blues Festival. Four acts had advanced to the finals from the first round held at The Lehrer in early June. They were Symplistic Soles, Beacon Street Titans, Sister Mercy and Bottleneck Blues Band. The four bands performed 25 minute sets in front of Sister Mercy - Journey To Memphis winners - photo by Greg Johnsonthree judges, scored on blues content, instrumentation, vocals, originality and overall presence. When all the scores were tallied, the winners of this year’s competition was Sister Mercy, who will be the CBA’s representatives at The International Blues Challenge this coming January in Memphis. They will be joining Rogue Rage Duo, who will be representing the CBA as the solo/duo act.

judgesJudges this year were of a high caliber — like those who’d be found judging the finals in Memphis. They were former BB King and Bobby Bland drummer Tony Coleman, three-time IBC contestant, Alligator Records recording artist and Blues Music Award nominee Jarekus Singleton, and zydeco legend and Grammy winner Chubby Carrier. A huge thanks to CBA Vice President Wendy Schumer for finding our judges for both rounds of the Journey To Memphis.

Thanks also to the Journey To Memphis Waterfront Team: Wendy Schumer as Judges’ Assistant, Kate Naiman as Time Keeper, Cherie Robbins as Score Keeper and Greg Johnson as Host. Congratulations to Sister Mercy and thanks to all the acts who competed; the performances were all superb!

 

Here’s a list of new music received at the CBA office or purchased personally this past month that should be noted:

Daddy Mack Blues Band – A Bluesman Looks At Seventy (Inside Sounds)
Eddie Dattel – Behind Blue Eyes (Inside Sounds)
Hot Roux – Stranger’s Blues (Hi Hat Records)
James Clem – Road’s Getting’ Muddy (Dusty Dust)
Pete Herzog & Dennis Walker – Waiting For The Rain (Self Produced)
Red Ray Frazier – Blood In The Water (Self Produced)
Rick Vito – Mojo On My Side (Delta Groove Music)
Robin Barrett & Coyote Kings – Howl (TwinLion Records)
Roseland Hunters – This Time (Renfreaux Records)
The Henry Gray / Bob Corritore Sessions – Vol. 1, Blues Won’t Let Me Take My Rest (Delta Groove)
Victor Wainwright & The Wildroots – Boom Town (Blind Pig)

Muddy Waters 100
Raisin’ Music Records

John Primer and Friends CD coverWow! Is this really John Primer singing these songs? He sounds so close to Muddy Waters that it’s haunting. Take a number of classic Muddy Water’s songs, add a few obscure tunes from his career, spanning from the late 1940s up to the late 1970s, throw in some stellar musicians, and you have the perfect tribute to an American icon in the blues world — Muddy Waters 100. The songs may not all come across as Muddy first recorded them. There is a bit of modernization on a few, but this works and the feel for the love of Muddy Waters comes across from everybody involved.

And the people involved? You have some of the best from Chicago, where Muddy made his mark. People like Primer himself, Johnny Iguana, Kenny “Beedy Eyes” Smith, Billy Flynn, and Billy Branch. You have one of Muddy’s most recognized sidemen in guitarist Bob Margolin, harmonica player James Cotton, and Muddy’s friend and collaborator Johnny Winter (in what may be one of his last recordings). And then there are the youngbloods of today’s blues, such as keb’ Mo’, Shemekia Copeland, Derek Trucks, and Gary Clark Jr. This is no cast to shake a stick at. They’ve got their mojo workin’ and they may have even fixed that mill that done broke down.

This is an official tribute to Muddy Waters in recognition of what would’ve been his 100th year of life. It is beautifully packaged with a hardshell book case, outstanding photography, and an essay from Water’s Grammy Award winning biographer, Robert Gordon. The music is contemporary, but it’s all Muddy Waters. This is one collection to check out. Muddy Waters legacy will continue to live on when handled by musicians who love the music and love the man. You have that here.

Total Time: 53:32

Got My Mojo Workin’ / Still A Fool / I Be’s Troubled / I’m Ready / Mannish Boy / Rosalie / Why Don’t You Live So God Can Use You / Good News / Troubled No More / She Moves Me / Can’t Get No Grindin’ / 40 Days And 40 Nights / Last Time I Fool Around With You / I Feel So Good / Feel Like Going Home